Friday, 16 November 2018

The Winters by Lisa Gabriele blog tour

The WintersThe Winters by Lisa Gabriele
My rating: 5 of 5 stars

An addictively suspenseful new novel set in the glamorous world of the New York Hamptons, about secrets that refuse to remain buried and consequences that cannot be escaped.

After a whirlwind romance, a young woman returns to the opulent, secluded mansion of her new fiancĂ© Max Winter - a wealthy senator and recent widower - and a life of luxury she’s never known. But all is not as it appears at the Asherley estate. The house is steeped in the memory of Max’s beautiful first wife Rebekah, who haunts the young woman’s imagination and feeds her uncertainties, while his very alive teenage daughter Dani makes her life a living hell.

As the soon-to-be second Mrs. Winter grows more in love with Max, and more afraid of Dani, she is drawn deeper into the family’s dark secrets - the kind of secrets that could kill her, too.

Inspired by the classic novel Rebecca, The Winters is a riveting story about what happens when a family’s ghosts resurface and threaten to upend everything.


A haunting psychological thriller very much in the style and feel of Daphne du Mauriers Rebecca from which Lisa Gabriele took her inspiration. It has all the haunted locked room and mysterious ghostly feel of Rebecca but also has its own identity as a haunting thriller.

Beautifully crafted and expressive emotive writing brings this story to life, even if you never read Rebecca you can't fail to be drawn in by this clever twisty thriller. The writing is done so well that you can easily visualise the house and each room when you enter them, the twist at the end was not entirely surprising but that really didn't matter as it was so well written and thought out that satisfaction was not compromised.

Easy to read and the pace builds right from the start making it almost impossible to put down until the end. I loved this novel and can easily give it 5 stars, I can't wait to read more from this talented author.

I would like to thank the publisher for sending this in exchange for an honest review.



Extract:

Last night Rebekah tried to murder me again. It had been a while since I’d had that dream, not since we left Asherley, a place I called home for one winter and the bitterest part of spring, the dream only ever recurring when Max was gone and I’d find myself alone with Dani.



As always, the dream begins with Asherley in the distance, shining from afar in a bright clearing. There is no greenhouse, nor boathouse, just a stand of red canoes stabbed into the pebbly beach. In fact, the Asherley of my dream looks more like it might have back in its whaling days, when from the highest turret you could still spot tall ships dotting Gardiners Bay.



Overpowered by the urge to be inside the house again, I pass easily through the thicket of forest that surrounds the property. I want so badly to wander its wood-paneled halls, to feel its plush red carpets beneath my bare feet, to move my fingers in the play of sun through the stained-glass windows, but an invisible force keeps me out. I’m relegated to the bay, where I float like a sad specter, made to watch those who still haunt Asherley act out the same strange pantomime.



I can see Max, my Max, relaxing on an Adirondack, one in a line like white teeth dotting the silvery-green lawn. He’s reading a newspaper, framed by the majestic spread of Asherley behind him, its walls of gray stones, its crowd of terra-cotta peaks, its dentils studded with carved rosettes, anchored by the heavy brow of its deep stone porch. Every lamp in every room of the house is lit. A fire roars in every fireplace. The circle of windows at the top of the high turret burns like a sentinel over the bay, as though the house were about to put on a great show for me.



I call for Max but he can’t hear me. I want to go to him, to touch his face, to smell his hair, to fit my shoulder under his arm, our sides pressed together. My throat feels strangled with that longing.



On cue, she strides out the back door, carefully balancing a tray of lemonade. She’s wearing a white lace dress with a red sash, her blond hair glinting in the sun, her face so eerily symmetrical she’d almost be odd-looking except for the singular perfection of each and every one of her features. Here is Rebekah making her way down to Max, changing her gait to accommodate the steep slope of the back lawn. Now Dani bolts from the house behind her, laughing, her chubby legs charging straight for the water and for me. She’s three, maybe four, her hair, far too long for a child, is the same white blond as her mother’s. I often wish I could have met Dani when she was this young and unformed. Things might have been very different between us.



My body instinctively thrusts forward to catch the girl, to prevent her from running too far into the bay and drowning.



Rebekah yells, “Be careful, sweetheart,” which Max repeats. She puts the tray down. From behind, she wraps her arms around Max’s shoulders and warmly kisses his neck. He places

a reassuring hand on her forearm. They both watch as Dani splashes in the shallow water, screaming and laughing, calling, “Look at me, I can swim.”



Then, as she always does in the dream, Rebekah becomes the only one who spots me bobbing in the bay, too near her daughter for her liking. She straightens up and walks towards the water, stalking me like a lion not wanting to disturb its prey. Still in her dress, she wades into the water, moving past a frolicking, oblivious Dani, until we are finally face-to-face. Her eyes narrow, forming that familiar dimple over her left brow.



I try to flee but my legs are useless.



“Who are you?” she asks. “You don’t belong here.”



Rebekah’s mouth is close enough to kiss, a woman I’d seen in hundreds of photos, whose every contour I’d memorized, whose every expression I’d studied and sometimes un-consciously mimicked in my darker days, when my obsession was most acute and I had no idea how to live at Asherley, how to be a wife to Max, or a friend to Dani.



“I do belong here. She needs me,” I say, pointing to Dani, my impudence surprising even me. I try to move but my feet are rooted in the sand below, arms floating beside me like weeds.



“She doesn’t need you,” Rebekah says, placing her hands on my shoulders in a reassuring manner. “She needs her mother.”



Then she rears back slightly. Using all of her weight, Rebekah shoves me under the waves with a sudden violence, flooding my vision with air bubbles. I fight for the surface, to scream for Max to help me, but she’s stronger than me, her hands a vise on my shoulders, her arms steely and rigid. In my dream, she’s not angry. Rebekah kills me slowly and methodically, not with hate or fear. She’s being practical. I am channeling vital resources away from her, rerouting Dani’s feelings, altering Max’s fate. My murder is conducted with dispassion and efficiency. And though I don’t want to die, I can’t imagine going on like this either, careful of my every move, looking over my shoulder, afraid to touch anything, break anything, love anything, worried his past will surface again and ruin what I’ve worked so hard for, what we’ve worked so hard for. Her task complete, my body painlessly dissolves into the waves and I disappear. I am dead and made of nothing. I am gone.



I woke up gasping for air, my hand at my throat. I kept reminding myself that everything is okay, we are okay, that we are alive and she is dead, cursing the fact that the dream had followed us here, our last stop, I hoped, for a good long while.


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